![]() The term, a portmanteau of the words "black" and "exploitation", was coined in August 1972 by Junius Griffin, the president of the Beverly Hills–Hollywood NAACP branch. Hit us back at questions, suggestions and any actors would want to meet, I will bring them to you, in a one on one knock down drag out interview.Blaxploitation is an ethnic subgenre of the exploitation film that emerged in the United States during the early 1970s. Here at Juicy Culture, we pride ourselves in bringing you nothing but the best. The inner most personal up close interviews imaginable. So sit back, relax and get ready for some of the best interviews from another side of the camera. ![]() Juicy Culture has many Stars, Actors and theatrical Actors lining up to meet you. His sense of humor and his talents as an actor and a person are impeccable. Powerful roles on such shows as "Law & Order," "Profiler" and "Judging Amy" has kept him newsworthy but not strongly in the limelight.Ĭlarence Williams III is a very personable friendly man. Among his better-known on-screen assignments is the role of Prince’s abusive father in Purple Rain (1984), a burnt-out political activist in the spoof, “I’m gonna git you sucka” (1988), the recurring part of Roger Hardy in the twisted cult TV series “Twin Peaks” (1990), a good-guy cop in Deep Cover (1992), an rioter in the Attica-themed mini-series Against the wall (1994) (TV) and Wesley Snipes heroin-addicted dad in Sugar Hill (1993), among others. In the 80s he launched an enviable character career in films, often playing a cool, streetwise character or threatening menace. Sporting a huge Afro, paisley shirts, dark shades and spouting hip language like "dig it" and "solid", the trio showed the requisite anti-establishment defiance and coolness to attract the angry, young generation-while still playing the good guys.įollowing the series' demise in 1973, he purposely avoided the "blaxploitation" Hollywood scene and returned to the stage, notably on Broadway opposite Maggie Smith in Tom Stoppard's play "Night and Day" (1979). His casting as former delinquent-turned-undercover cop Linc Hayes on the highly popular TV cop series Mod Squad (1968) along with fellow white partners Michael Cole and Peggy Lipton was a huge break for all three relative unknowns. Continuing on with powerful work in "Does a Tiger Wear a Neckie?" (1966) and "King John," Vietnam-era Hollywood finally began to take notice of his "angry young man" charisma. He continued impressively with roles in "Walk in Darkness" (1963), "Sarah and the Sax" (1964) and "Doubletalk" (1964), and capped his early career with a Theatre World Award and Tony-nomination for the three-person play "Slow Dance on the Killing Ground" (1964). Air Force, he started up his acting career, making a minor New York stage Debut with "The Long Dream" in 1960. ![]() ![]() While attending a local YMCA as a teen, Williams became interested in dramatics. Juicy Culture brings you the best of Clarence Williams III:Īs the son of a displaced musician, Harlem-born African-American actor Clarence Williams III was raised by his musical grandparents, the legendary jazz and boogie-woogie composer/pianist Clarence Williams II, who wrote such classics as "T'Aint Nobody's Business If I Do" and "Baby, (1895-1977). ![]()
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